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Sidharth Malhotra has a line-up of action films coming up

Sidharth Malhotra, who’s currently filming for his rom-com opposite Parineeti Chopra, Jabariya Jodi, has two more big banner projects lined up.

The Aiyaary actor has been roped in for a film with Milap Zaveri’s next directorial venture, produced in collaboration with Nikkhil Advani and Bhushan Kumar. While there hasn’t been a confirmation on the story, it is believed to be an action-thiller. Actor Riteish Deshmukh may be seen as the second lead in the film.

(L-R) Riteish Deshmukh, Sidharth Malhotra

“Both Riteish and Sidharth like the script and have given the project their nods. Now, it remains to be seen who will produce the film. Nikhil Advani of Emmay Entertainment and Bhushan Kumar of T-Series have agreed to work with Milap and bankroll one film each apart from Satyameva Jayate 2, which they will co-produce. We’ll have to see if this film is made as part of either one of those deals, or if it goes to some other producer,” a source revealed.

Malhotra was also approached for Imtiaz Ali’s next. Our source reveals, “Sid met the filmmaker, who had two scripts. They discussed one of them and the former model liked it, too, but he couldn’t sign it. Kartik Aaryan is acting in the other movie, which is based on the second script.”

The informer added, “Imtiaz wanted Sidharth’s dates in February next year, but the latter had already committed the same to the Vikram Batra biopic. He told the Jab Harry Met Sejal director that he won’t be able to shift that film and politely turned down the offer.”

That’s not the only reason. Our source adds, “The subject deals with an army-based romance. Sid has already played a man in uniform in Aiyaary earlier this year and will be stepping into the shoes of the Kargil martyr, Vikram Batra, next year. So, he thought this project will be too similar to what he’s already doing. Instead, he has signed a film with Nikkhil Advani’s banner, which will be helmed by Satyameva Jayate director, Milap Zaveri. It’s an action entertainer, which is scheduled to go on floors after he finishes the Batra biopic.”

 

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Rakul Preet Singh shares her look as Sridevi in NTR biopic ‘Kathanayakudu’

Rakul Preet reveals her look as late actress Sridevi in the NTR biopic titled Kathanayakudu.

In an interview with Times of India, Rakul said described this as her “most challenging character.”

“I have been a big fan and recreating the diva on screen for the first time is a big responsibility. I hope I can do justice to it. The makers have full faith in me and I hope I can live up to it,” she said.

As a part of the prep, the actress has been handed a couple of films she needs to watch in order to get the body language of Sridevi right.

“Unfortunately, I never met Srideviji, but I am going to be watching a few of her films as suggested by the makers, to get the body language right. I will be working on my role and there will be a series of look tests to get the part right. On the whole, I am really excited about the project and I know all eyes will be on me because for the first time someone is going to play Srideviji in a film. I was really excited when I heard the part and the role has shaped up really well. I am going to do extensive homework before I start shooting for the film,” Rakul added.

Starring Nandamuri Balakrishna in the lead as legendary actor and politician Nandamuri Taraka Rama Rao, the NTR biopic will release in two parts. While the first part will be called Kathanayakudu, the second installment of the biopic will be titled Mahanayakudu.

The film also stars Rana Daggubati, Vidya Balan, Prakash Raj and Sumanth among others. Directed by Krish, Kathanayakudu will head to theaters on January 9, 2019.

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Deepika Padukone turns producer for Laxmi Agarwal’s biopic

Deepika Padukone has finally zeroed in on her next venture donning the hat of not only the lead actress but producer as well. Directed by Meghna Gulzar, the film is based on the story of acid attack survivor Laxmi Agarwal.

Laxmi Agarwal

“When I heard this story, I was deeply moved as it’s not just one of violence but of strength and courage, hope and victory. It made such an impact on me, that personally and creatively, I needed to go beyond and so the decision to turn producer,” the actress asserts.

Laxmi who comes from an underprivileged background was 15, waiting at a bus stop in Delhi, in 2005, when she was attacked. Her 32-year-old assailant was an acquaintance of the family who harboured a one-sided attraction towards her. It turned into a deadly grouse when the teenager spurned the advances of this unlikely suitor.

Meghna Gulzar

“Using Laxmi’s story as a lens, we are attempting to explore these aspects and the consequences of acid-related violence in our society. This’s what makes this must-told story relevant. Awareness is the first step towards change,” Gulzar said.

For two years, the disfigured girl rarely stepped out of her home. But in 2006, she did file a PIL seeking the framing of a new law or an amendment to existing criminal laws like IPC, Indian Evidence Act and CrPC which deal with the offense, making a fervent plea for a total ban on the sale of acid. In 2013, in the wake of the Nirbhaya incident, the Supreme Court ruled in her favor. 

Laxmi is the director of Chhanv Foundation, an NGO dedicated to helping acid attack survivors. She’s opened cafes in Lucknow and Agra managed entirely by these survivors and now goes by the name of Laxmi SAA (Stop Acid Attacks).

Talking about the her decision to collaborate on the project Padukone said, “The story made such an impact on me that personally and creatively, I needed to go beyond and so the decision to turn producer.”

“Using Laxmi’s story as a lens, we are attempting to explore these aspects and the consequences of acid-related violence in our society. This’s what makes this must-told story relevant. Awareness is the first step towards change,” asserts Meghna, pointing out that like Talvar, with various narratives intertwined, the film is a gritty, investigative piece, interspersed with a courtroom drama. “If the story is to be summed up in one line, then it’s one of triumph, of an ‘unquashable’ human spirit.”

When quizzed about why she thinks Deepika is the best choice to play Laxmi, the Raazi director points out that it is an emotionally and physically challenging role. “I was instinctively convinced that Deepika would do justice to the character and the story. Also, her physicality matched with what I’d imagined for Laxmi’s character. I’m grateful and encouraged that she was so spontaneous in her decision to do the film. When you take a face as beautiful as hers and portray her as an acid attack survivor, the magnitude of the violence and damage is that much more resounding,” she says.

 

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Woman who was sexually assaulted by ‘Queen’ director Vikas Bahl speaks out again

Amidst all the conversations surrounding the sexual harassment allegations made by actress Tanushree Dutta against Nana Patekar, another case of an unsafe work environment has resurfaced.

An ex-employee of the famous production house Phantom Films (now dissolved as recently announced by its founders) came forward sharing her story of sexual assault. While the news made headlines for few days in 2015, it was quickly buried deep as an inconsequential piece of information.

Recently, Huffington Post India recounted the events of the horrific incident, sharing the survivor’s (or should be say “victim’s”) story and exposing an ugly side of the industry.

[Please note, the following story has been sourced from www.huffingtonpost.in and published on Popcorn Pixel without any edits. Original story is written by Ankur Pathak].

Vikramaditya Motwane, Madhu Mantena, Anurag Kashyap, Vikas Bahl, the four founders of Phantom Films

MUMBAI, Maharashtra — In 2015, the four partners at Phantom Films, the edgy Bollywood production house set up by directors Vikas Bahl, Anurag Kashyap, Vikramaditya Motwane and producer Madhu Mantena, learnt that one of them had been accused of sexually assaulting a woman crew member during the pre-release promotional tour of their movie, Bombay Velvet.

After months of agonised negotiations and recriminations, Phantom’s four newly powerful men of Bollywood did what made the most sense to them at the time—nothing.

The partner accused of assault was Bahl, best known for directing Queen—a Kangana Ranaut starrer critically acclaimed for its empowering narrative of a strong female character’s voyage of self-discovery.

At the time, Phantom Films had just signed a major deal with Reliance Entertainment, and would go on to make on a series of big-ticket projects including Sacred Games for Netflix.

Bahl, the woman crew member said, insisted on dropping her to her hotel room on the early hours of 5 May 2015 and pretended to pass out drunk on her bed, only to awaken soon after and masturbate on her.

The woman was alone, vulnerable and recovering from an accident that had left her on crutches for months. She had only just begun to walk unassisted.

In October 2015, she reached out to Kashyap and detailed her experience, but almost two years would pass before her testimony was addressed with any degree of seriousness.

Meanwhile, Bahl harassed her until she finally quit the company in despair, she said in an interview with HuffPost India.

Today, as Bahl prepares for the release of Super 30, a big budget film starring Hrithik Roshan, the young woman is struggling to revive her career in Bollywood: an industry where everyone knows everyone, and no one wants to upset anyone. Earlier this month, actor Nana Patekar sent a legal notice to Tanushree Dutta after she said Patekar had assaulted and threatened her on the sets of the movie Horn Ok Pleassss in 2008.

“This is the price you pay for speaking out against harassment, humiliation and injustice in India,” Dutta told news agency ANI.

Over this summer, HuffPost India spoke to over a dozen filmmakers, artistes, crew members, studio executives and most importantly, the woman in question, to piece together a tale that reveals just why the global movement to hold powerful men accountable for their sex-crimes has left India’s entertainment industry largely untouched.

Almost all of them begged anonymity, claiming that speaking out would end their careers. The people to come on record were Bahl’s fellow director and business partner at Phantom Films, Anurag Kashyap, and Kashyap’s girlfriend Shubhra Shetty, who told HuffPost India they believe the woman, and corroborated all key aspects of the woman’s testimony

The news of Bahl’s alleged assault was briefly covered by the Mumbai Mirror in 2017, but soon dropped out of public memory. Now, three years after the incident, the woman recounted what happened over a series of interviews that stretched over four months.

A combination of therapy, Buddhist practice, and support from her friends and most importantly, her boyfriend, she said, have given her confidence to speak out now.

In a sign of how the conversation around sexual assault is gathering momentum to demand answers from powerful men, Bahl’s business partner Kashyap admitted to HuffPost India he had failed the woman—three years after he first learnt of the allegations.

“Whatever happened was wrong. We didn’t handle it well, we failed. I cannot blame anyone but myself,” Kashyap said. “But now we are determined to do better. We believe her completely. She has our undying support. What Bahl has done is horrifying. We are already on our path of course correction and will do everything in our capacity to fix it.”

While Kashyap agreed to an on-record interview, HuffPost India sent detailed questionnaires to Phantom Films’s remaining three partners—Bahl, Motwane and Mantena. This story will be updated if they respond.

Three days after our questionnaires were sent, Kashyap tweeted that Phantom Films would be dissolved, and the four partners would go their separate ways.

https://twitter.com/anuragkashyap72/status/1048301339971936256

Bombay Velvet

Source: Still from Bombay Velvet

On the night of 4 May 2015, a gaggle of Bollywood A-listers assembled in an exclusive party suite at the Park Hyatt, a luxury resort in south Goa.

Bombay Velvet, Kashyap’s ambitious adaptation of historian Gyan Prakash’s Mumbai Fables, was days away from release and the crew and cast—which included stars like Ranbir Kapoor, Anushka Sharma and Karan Johar (who had a cameo in the film) and Phantom partners Bahl and Kashyap—had gathered to dance away the nervous energy that precedes any big-budget release.

The star-cast dispersed by 2.30 am, it was now May 5, the woman said, and a smaller group of people, including the woman, Bahl, and a few other crew members moved to another suite, where the celebrations continued.

“We were all having fun,” the woman said. “I had been drinking vodka and by now, I was really, really drunk,”

When the party finally wound down, the woman said Bahl offered to drop her to her room.

“I told him I will figure it out,” she recalled, but she said Bahl pointed to the fact that she was still recovering from an accident that had left her with a limp, and insisted he accompany her for her safety.

“I didn’t make anything of it. For me, Bahl was my boss’s business partner,” she said. “I wasn’t worried about anything. He had acted normally throughout the party.”

When they finally reached her room, the woman hugged Bahl, bid him goodnight, and rushed inside to the bathroom.

“I couldn’t hold my pee anymore,” she said.

But unbeknownst to her, Bahl had slipped into the room behind her, the woman later told HuffPost India.

When she came out, she said, she was taken aback to see Bahl lying on the footrest of her bed.

“He acted as if he couldn’t get up. I asked him to get up, leave. In my head, I was thinking furiously, ‘what should I do to get him out?'” she said.

The woman said she asked Bahl to leave the room several times, but he refused.

“I had no energy to do anything more. He wasn’t leaving my room. I gathered some strength and put multiple pillows between the two of us to create some sort of a divider,” she said. “Everything was blurry, I was on the verge of passing out but one part of my brain was very aware of this man who wouldn’t leave my bed.”

Within seconds of her lying on the bed, the woman said, she felt Bahl put his hand inside her dress. The woman says she resisted several times. When she pushed him away one final time, Bahl dropped his pants and began to masturbate.

She was too shaken to face him, she said, so Bahl masturbated onto her back.

“Fuck you, bitch” she recalls Bahl saying, before he pulled up his pants and left the room.

“The next morning when I woke up, I remember taking a very long shower.”

She said she was still numb all of next day.

There was another party the next day, and Bahl showed up.

Gaslighting

That evening, the woman said, Bahl made it a point to walk up to her, and loudly state that she was very drunk the previous night, and asked her if she had made it to her room safely.

Bahl did not respond to HuffPost India‘s request for comment.

The woman saw this as way to gaslight her, by muddling her own recollection of the events of the night before.

She avoided him for the rest of the evening, and asked a cast member to stay close to her to protect her from Bahl. HuffPost India interviewed the cast member who confirmed that the woman told him Bahl had done something to her soon after the incident.

“She didn’t mention the specifics at that time but I later found out and understood what she was referring to,” the cast member told HuffPost India. The person begged anonymity, fearing that crossing paths with Bahl and Phantom would have severe repercussions on his career.

The following night, the woman flew back home to Mumbai from Goa.

On 7 May, two days after the incident, the woman narrated the incident in detail to a close friend of hers, a producer who, at the time, was working with Phantom on an independent film.

HuffPost India conducted a detailed interview with the friend, who corroborated the sequence of events. The friend also requested anonymity, fearing retaliation from Bahl’s supporters within the industry.

“I was shocked and asked her to immediately take it up with Kashyap,” the friend said. “But the thing with Phantom is, we know nothing would come out of it.”

Founders of Phantom Films

On 13 May, there was a screening of Bombay Velvet, after which the crew went to Bahl’s house for a party. The woman avoided the celebration.

On 15 May, Bombay Velvet released and sank like a stone. One critic described it as an “epic misfire“. Kashyap, the one partner in Phantom the woman was close to, disappeared into a depressive shell. The woman said she felt she wasn’t ready to talk to him about the incident.

“I took her to a therapist. She was feeling suicidal,” the woman’s friend recalled. “It didn’t quite help so we went to a few more people. She was on strong antidepressants and we were all worried for her. The antidepressants had side-effects.”

On one visit to her apartment, the friend hid all sharp objects in the house, including knives from her kitchen.

“I was paranoid that she’d harm herself,” he said.

By the end of May and beginning of June, the medication started to show severe side-effects. A friend of hers introduced her to Buddhist practice, which bought the woman a sense of calmness and faith. She began the process of healing herself.

“I was blaming not just myself for this incident but the entire course of my life, my past divorce, the accident, all of it,” the woman said, looking back at the immediate aftermath of the incident. “I was in a phase where I felt like I didn’t deserve any better.”

Daily harassment

In October 2015, the woman finally decided to tell Kashyap, Bahl’s business partner, about the incident.

In the months following her return from Goa, the woman said, Bahl had taken to harassing her at work. He would often call her up on the pretext of asking her to do minor chores, even though she didn’t report to him.

“I would hide at Phantom,” she said. “I’d eat lunch alone. I’d talk to nobody. I’d attend no parties. I lived inside a shell whenever I went to the office. I tried to remain in touch and hang with friends outside of Phantom.”

The worst part, she said, was seeing Bahl in the office everyday.

One day, she said, she was at the Phantom canteen when Bahl walked up to her and said, “You know, abroad they allow dogs everywhere. Here also, they allow dogs at a lot of places.”

The woman said she stood silently as Bahl continued, “But what about you? With your fucked-up attitude, who will allow you anywhere?”

Bahl did not respond to HuffPost India‘s request for comment.

As the harassment continued, the woman resolved to speak to Kashyap—as she felt the most comfortable with him.

On 30 October 2015, five months after her trauma, the woman and Kashyap travelled to Bengaluru on work. In a ride to the airport, she told Kashyap the details of her encounter with Bahl.

The woman said Kashyap said, “I don’t want to know this right now”, but he promised to fix it.

Kashyap told HuffPost India he remembers the incident differently.

“I have a vague memory of it. I was super drunk and didn’t quite process what she said,” Kashyap said, adding that the failure of Bombay Velvet meant he was frequently inebriated. “At that time, I knew something happened, I didn’t know exactly what.”

The director said he now regrets not probing the issue further.

Bro-Code

In January 2017, the woman finally stepped away from Phantom. Kashyap had promised her that Bahl would apologise, she said. But from October 2015 to the month she resigned, he never did.

“All I wanted was an apology. An apology would have saved me from all the hell that I went through,” the woman said.

Anurag Kashyap and Madhu Mantena at the launch of Udta Punjab in Mumbai

Phantom Films had three releases in 2016—Udta PunjabRaman Raghav 2.0and a Gujarati film called Wrong Side RajuUdta Punjab did well, and things were looking up again for Phantom Films.

The woman got busy with work—”It was going well and the work distracted me from everything”—but every now and then, something would trigger a memory of her trauma.

One particular incident stood out: in February 2016, Kashyap asked her to work with Bahl on a short-term commercial assignment. The assignment had come to Kashyap, but he passed it on to Bahl because he was busy and said Bahl needed the money.

“This made me realise that Kashyap wasn’t thinking about me or the trauma I went through,” she said, adding that she felt humiliated at having to repeatedly ask that Bahl apologise to her. “It told me that he isn’t going to do anything about it. I had to leave.”

Kashyap’s girlfriend Shetty said Kashyap didn’t know the specifics of the incident and from the time that he found out, he did everything to distance himself from Phantom.

Rumours

Something changed at Phantom in 2017: rumour had it that the four partners Kashyap, Bahl, Motwane and Mantena, who had once seemed inseparable, were drifting apart.

On 4 March 2017, the woman received a text message from Shetty.

“I’m not letting this go. I’m not taking an apology. I’ve had enough of this bullshit and people taking this lightly. I’m disappointed with myself for being so passive when you first told me in that hotel room. And I was disappointed with Anurag for not taking serious action.”

The message, while welcome, came as a surprise. Shetty had known of the incident since at least 30 May 2016, when the woman told her about it.

Shetty corroborated this in an interview with HuffPost India, expressing guilt for not having acted promptly when the woman first shared the details of the incident with her.

“I’ll admit that it has been a failure on our part. We could’ve done a lot better, much sooner,” Shetty said.

In December 2016, Shetty told HuffPost India she was at a wedding in Coimbatore where several current and former Phantom employees said Bahl’s behaviour had made them uncomfortable on multiple occasions.

Shetty said she came back from the wedding and refused to talk to her boyfriend, Kashyap, until he promised to fire Bahl from Phantom or deal with the situation.

Anurag Kashyap, Bahl’s business partner, says he regrets he didn’t act sooner

As it turned out, firing Bahl wasn’t an option: Bahl wasn’t an employee at Phantom, he was a part-owner.

Kashyap told HuffPost India that Phantom’s contracts are such that they don’t have a clause to remove a partner over ‘misconduct’. HuffPost India couldn’t independently review the contracts.

But Shetty and Kashyap both told HuffPost India that they sat down with a team of lawyers who categorically told them they couldn’t remove Bahl.

“We spent a lot of time working that out. Since there wasn’t an FIR so we had no legal ground to fire him,” Kashyap said. “It’s entirely my failing that I didn’t know how these contracts were made and I should’ve looked into it more clearly. I shouldn’t be starting a company if I don’t know how to run one.”

If the woman were to file a police complaint, Kashyap told HuffPost India, there could have been grounds to remove him from the company. By March 2017, Kashyap said, “One thing was clear: we wouldn’t allow Bahl anywhere near or into the office. He was barred.”

At the time, Phantom had no internal complaints committee, no policy on sexual harassment and no formal avenue for survivors of sexual harassment to file complaints. In its place, the film production company responsible for some of Bollywood’s most “path-breaking” movies had four influential men making unaccountable decisions based on opaque personal motives.

So the woman was suspicious when Kashyap suddenly reached out to her after years of silence and stonewalling.

“The issue was left in cold storage for months. I had moved on. And one day suddenly, he woke up and said he wants to set things right,” the woman said. “It didn’t seem right to me. Something seemed off. It felt like it wasn’t been done for me but for some other gain.”

At one point, for instance, Kashyap told the woman she had the power to decide Bahl’s fate.

In a message dated 10 March 2017, reviewed by HuffPost India, the filmmaker wrote,

“There is a lot of livelihoods at stake, yet everyone is with you and want to do the right thing. You will decide the punishment and even if you sympathize , he will still have to go… we just don’t want to be suicidal, that fuck it, let’s kill Phantom.. we want to correct it and set an example.”

“I had told them what he did to me. It had to be them to decide what the punishment should be,” she told HuffPost India, explaining that she felt she was being manipulated by Kashyap to settle scores within Phantom Films. “Kashyap couldn’t just bring it back so he could look self-righteous in front of his girlfriend.”

Bahl versus Kashyap

In March 2017, nearly two years after the incident in Goa, the woman found herself at the intersection of Phantom Film’s internecine struggles between the four founders.

On 10 March 2017, the partners at Phantom arranged a meeting between the woman Kashyap, Mantena, and Motwane. The woman agreed to attend the meeting after Mantena called her and told her that Bahl was finally ready to apologise.

By this time, Phantom Films was in complete violation of India’s Sexual Harassment of Women at Workplace (Prevention, Prohibition and Redressal) Act, 2013.

While the act mandates that such complaints be handled by an internal complaints committee—presided over by a woman, with at least half the committee members being women, and including at least one representative from outside the organisation—the woman was questioned by Mantena who—the woman said—sought to chip away at the credibility of her testimony by asking her if she was drunk at the time, or if she had any conclusive evidence.

He also told her, the woman said, that he would not put out a statement supporting her if the media asked him questions.

HuffPost India sent Mantena a detailed questionnaire on his recollection of this meeting, but he is yet to reply.

The woman was jittery. “I could smell something wrong,” she said.

Three days later, on 13 March 2017, a meeting between Kashyap, his girlfriend Shetty, the woman and her boyfriend turned into a nightmare when Kashyap and the woman’s boyfriend came to blows.

Kashyap insisted that the woman denounce Bahl in the media, while the woman’s boyfriend pointed out that Phantom Films had done nothing for two years and now expected the woman to go public without any guarantee that Kashyap or his company would stand by her.

The woman refused to cooperate and after several heated text exchanges between Kashyap and her, which HuffPost India has reviewed, she asked him to leave her alone and forget about the incident once and for all.

“I was disappointed in Kashyap. He knew everything,” the woman said. “He had the power to do stuff. He could have if he wanted to. He didn’t. And I don’t think so I will never be able to forgive him for that.”

Kashyap didn’t deny this.

“We didn’t handle it well,” he told HuffPost India. “I cannot blame anyone but myself.”

What happens to Bahl now? “People have already started distancing themselves from him. He’s done,” said Kashyap.

In April 2017, the month after the woman’s meetings with Phantom, the Mumbai Mirror carried a brief story about the incident in Goa.

Bahl gave Mirror a lengthy comment defending himself:

“Nothing has happened. I am running the company. There is no complaint to HR and there is no Vishakha committee. I have heard about this particular lady you are speaking about and the Goa incident. She is not my employee. Yes, I am friends with her, we have worked together and there is a production job we have done together… but if she is feeling like this I would like to sit across a table from her and talk to her. I want to ask her if I have crossed a line, whether I have done anything to hurt her and if she feels that way I would like to apologise for it. I have known her for long. For two-and-half years she has never made me feel as if she is uncomfortable (around me). I have worked very hard to be the person I have become. I do feel a little victimised but I don’t know what to do about that.”

The Phantom vanishes

On Oct 6 2018, Kashyap announced Phantom Films was dissolving.

Last week, HuffPost India sent Bahl, Mantena and Motwane, Phantom’s three other founders, detailed questionnaires asking for their responses.

Representatives for all three men stalled for three days. Then, at 1:28 am on Friday, 6 October 2018, three-and-a-half years after that fateful night in Goa, Kashyap took to Twitter.

“Phantom was a dream, a glorious one and all dreams come to an end. We did our best and we succeeded and we failed. But i know for sure we will come out of this stronger, wiser and will continue to pursue our dreams our own individual ways. We wish each other the best.”

Phantom Films—the company that had brought Kashyap, Bahl, Motwane and Mantena wealth, power and influence—was no more.

“To me, the overnight split appears like a pre-emptive measure,” the woman said, about the sudden dissolution of the company. “My heart really goes out for those people who didn’t have anything to do with my case and will perhaps lose their job.”

Bahl, Kashyap, Motwane and Mantena have enough projects on their plate. Bahl’s next big film, Super 30, starring Hrithik Roshan, is slated to release early next year.

“What Bahl did to me that night in that hotel room in Goa has had a lasting impact. I am still healing. It has affected my relationships, my spirit, my social life, everything,” the woman said. “I think twice before going out for a film-related event… but do I fear him? No. Not today. And I want to tell every young woman in this industry, it’s never your fault. It’s not your burden, it’s not your shame.”

[Popcorn Pixel accepts no responsibility for its authenticity and data of the text, and reserves the right to alter or delete the content in its discretion, without notice].

#TrailerTalk – ‘Thugs of Hindostan’ may not live up to expectations

Thugs of Hindostan (TOH) is one of the most-awaited films of 2018. However, the trailer of the film may leave you disappointed.

The magnum-opus created quite an intrigue when leaked photos of the actors emerged earlier this year, followed by series of posters introducing the leading characters.

The makers finally dropped the trailer of the film and gave a glimpse in the world of “thugs.”

Set in 1795 India, TOH is outlined in the British rule where thugs are gearing up to fight against the East India Company. The commander of the pack, Khudabaksh [Amitabh Bachchan] leads the gang at sea by fighting with their enemy in some extremely high-octane combat. Accompanying him is Zafira [Fatima Sana Shaikh], a skilled archer/warrior determined to overthrow the new regime.

Enter Firangi Mallah [Aamir Khan], an infamously notorious thug who is hired by the British to challenge Khudabaksh. What follows is an adventurous saga of patriotism, deceit and… thugs.

Watch the trailer here:

Rating Prediction  [3 / 5]
The characters seem a little caricature-ish that are less than engaging. Moreover, a dialogue or two to establish the female leads would’ve been nice; the trailer shows them merely as props in supporting roles.

TOH will release on 8th November, 2018.

John Abraham dons the uniform once again for his next ‘Batla House’

Actor John Abraham unveiled the first look of his next film Batla House, and announced its release on 15 August 2019, clashing with Brahmastra and Made In China.

Batla House is based on a real-life incident about the Delhi spot where a shootout took place in 2008.

John posted the film’s poster on Twitter:

https://twitter.com/TheJohnAbraham/status/1043093257176207360

Known for doing patriotic movies like Madras Cafe and Parmanu The Story Of Pokhran and his latest release Satyameva Jayate, John will once again be seen donning the patriotism on his sleeve in Batla House by essaying police officer Sanjay Kumar Yadav, who led the Batla House encounter.

Abraham also shared his look in the film as a police officer, with phrases such as ‘India’s most decorated, controversial cop’, ‘Indian Mujahideen’ and ‘Judicial conspiracy’ in the foreground.

https://twitter.com/TheJohnAbraham/status/1043336252760633345

The film is helmed by director Nikkhil Advani and written by Ritesh Shah.

While announcing the release date, Advani tweeted: “Have waited for a long time for this story to be told. Unveiling an explosive account of one of the most controversial events to have rocked modern India.”

[This story has been sourced from www.firstpost.com with some edits. Popcorn Pixel accepts no responsibility or liability for its authenticity and data of the text, and reserves sole right to alter or delete the content in its discretion, without notice].

Amandeep Kaur – Exclusive interview with Vicky Kaushal’s celebrity stylist

You can’t scroll through Instagram and not stumble upon stylish celebrities these days. Bollywood films may have evolved over the years, but it’s the fashion in B-town that has grown leaps and bounds. Actors are always exquisitely dressed for all occasions. Mumbai-based celebrity stylist, Amandeep Kaur knows how to make celebrities shine on and off-screen, and is currently outfitting the newest heartthrob – Vicky Kaushal.

Vicky Kaushal styled by Amandeep Kaur for TIFF 2018

Kaur follows an “androgynous” style mantra. She describes the new-age profession of a celebrity styling as “putting the best pieces together in an effective way, that appeases the person who’s wearing it.”
Unlike fashion design that is primarily designing garments, fashion communication is everything that sells fashion to customers. Be it visual merchandising, fashion journalism, branding, marketing, graphics…
Talking about the process of styling Vicky Kaushal, she shared some interesting insights about her job and what it takes to create a style statement.

Styled by Amandeep Kaur for Raazi (2018)

When I was styling Vicky for Raazi promotions, we used a lot of linen and cotton; we kept his looks really subtle, earthy and formal because he was playing an army officer. So he had to look crisp and serious, yet stylish. While in Manmarziyaan his role is so flamboyant, wild and crazy – I was given a bit of a free hand. However, I still had to keep in mind Vicky Kaushal’s personality while styling him for promotions – his likes and dislikes, and also how should he be perceived by the audience. What was your favorite part of styling Kaushal during Manmarziyaan? I absolutely loved styling him for the Manmarziyaan concerts. That was really fun!

Styled by Amandeep Kaur. Source: Lokmatnews

I could go bold, wacky and over-the-top because he was performing on stage. The energy at the concerts was so infectious with people roaring and singing along; you see the person who you work so closely with performing live and connecting with the audience.
Being part of that energy is my favorite part!
Lesser known fact is that celebrities don’t necessarily own all the clothes they wear. What’s the process of styling and sourcing items from designers or brands? Designers create samples that are rotated in the press for celebrities for editorial shoots etc. They send us a look-book of their collection, we then select and call for the products. Once the project ends, we send them back. In the case of brands, we either pick them straight off the stands or select from samples if they have any. Again, one we’re done we dry-clean the pieces and return them. Unlike film promotions where styling an actor becomes an extension of the character they play, how does the brief differ for events or photo-shoots? There are a lot of factors to be considered for each. For a photo-shoot, the visual is very important, even if it doesn’t fit perfectly. As long as it looks visually great, we can do minor tweaks with alterations. As opposed to an event where the celebrity has to live in the outfits – they have to walk and breath in it – so they have to be comfortable at all times. The location also plays a huge role for events because the materials can be selected as per the weather. Another factor is the audience – if it’s a red carpet event and the brief is to make a star “shine,” then the celebrity needs to look formal, sharp… If it’s a meeting with few people, then you can tone it down and keep it simple. It’s very rare to find any two celebrities wearing the same outfit or even repeat outfits. Is it something stylists consciously take care of? Yeah! That is a huge task and thanks to the world of social media we’re all well informed. We have access to everyone. I tend to follow celebs, stylists, brands, designers and publications – a major part of my work is to keep a tab on social media to keep track of who’s doing what. I especially have to keep in mind the competitors so the styles don’t clash.
I don’t mind repeating outfits. I think it’s a very eco-friendly way of looking at fashion.
Every actor and actress now is “fashionable” thanks to stylists, which has also invented terms like “airport looks” and “gym look.” Is that also a part of your work? Thankfully it hasn’t become part of my work yet! I don’t think Vicky is that vain.

Amandeep Kaur with Vicky Kaushal

Again, it’s a lot to do with the personality of the actor. But I do understand when actors are constantly chased by paparazzi, they really have to worry about what they put on their backs. What has been your most challenging project till date? Oh, I have a very interesting story! It was in August of last year [2017] and I had to shoot with Priyanka Chopra for Cosmopolitan anniversary cover; as a Fashion Editor it was my job to get her on-board. I was chasing her team for almost a year… we finally scheduled it in the U.S. However, few days before the shoot we were informed that she won’t be able to do the cover because she was called in for a last minute shoot for Quantico. Two months later she came to Mumbai for a very brief trip and gave us a slot of three hours. I used to live in Delhi back then, so I flew in to Mumbai specially for the shoot and it was raining cats and dogs… It was declared a Bombay-bandh and I was stranded at the airport for five hours. I was worried and stressed, my team was also really discouraged, but I knew I had to make it work. I just called PC’s manager and asked to just get her on the set the next day… The next morning we woke up and it was a clear sky! It was still Bombay-bandh so the roads were clear… everyone got on the shoot on time along with PC. And instead of three hour, she ended up giving us six-seven hours because she was really enjoying herself.

Cosmopolitan Cover October’17. Styled by Amandeep Kaur

Kaur loves a unisex sense of styling – a pair of ripped jeans with a bomber jacket and slogans.
Be it on the bra strap or strap of the side-sling purse, arms of the sweatshirt or just straight in-your-face shirts or back of the jacket – slogans are doing the rounds everywhere
… And her muse definitely pulls it off with a bright smile! Besides Kaushal, she has also styled Taapsee Pannu, Angira Dhar, Richa Chaddha, Kalki Koechlin.  Featured Image Source: The Peacock Magazine Photographed by Sanjeev Kumar

#Review – ‘Manmarziyaan’ is not a typical romantic-drama with a simple beginning, middle and end. It’s a mature story about the grey shades of love 

Manmarziyaan is a modern-day Hum Dil De Chuke Sanam (1999). However, as soon as you identify the similarities you realize that it’s a story of anyone who has ever loved, or yearns to be loved.

Set in a small town in Amritsar, Punjab, the film begins with Vicky (Vicky Kaushal) leaping across rooftops to get to Rumi’s (Taapsee Pannu) room. They are visibly excited and enjoying a honeymoon phase of their relationship that is perfectly defined with the song Grey Waala Shade playing the background.

Vicky is a self-proclaimed DJ who’s afraid of commitment and refuses to take responsibilities of his actions. Rumi too is equally lost in life; she is constantly running from everything… quite literally.

They are undoubtedly madly in love, but by no means are “Romeo and Juliet.” The two are obnoxiously immature, and only do as their hearts desire, i.e. as per their manmarizyaan. This is where writer Kanika Dhillon and director Anurag Kashyap have beautifully portrayed a layered story about love.

To offer some method to the madness, enter Robbie – a calm and mature man who’s interested in marrying Rumi even though he’s aware of her on-going toxic relationship.

Hence, begins the roller-coaster ride of wild and messy affairs.

The film progresses primarily from Rumi’s point of view and her frustration/confusion with the indecisive Vicky. Though she is portrayed as a strong independent woman, she is unapologetically stubborn and borderline self-destructive. Rumi is not a lovable character to be sympathized with, but there is a point when she breaks down and you truly feel her pain. Kudos to Pannu for effortlessly playing such a complex character.

Other notable moments are when you see a subtle shift in the male leads’ characters as well. Their characters show growth within the narrative of the film, which is again where the Kashyap’s understanding of human nature is admirable.

The music of the film deserves a special shoutout – composed by Amit Trivedi and written by Shellee, all the songs are beautifully woven into the screenplay. Where dialogues don’t do justice, the music supports in conveying the deepest of emotions at various stages in the film.

While the performance of each character keeps you hooked, the slow pace in the second half and discussion over the same issue for the umpteenth time gets exhausting.

Rating   [3 / 5]
Manmarziyaan is not a typical romantic-drama with a simple beginning, middle and end. It’s a mature story about all the grey shades of love.

Siddharth Roy Kapur’s ‘Ballet Boys’ is about two Mumbai-based dancers

Producer Siddharth Roy Kapur recently announced his next film inspired by the lives of Mumbai artists titled Ballet Boys. Roy Kapur Films (RKF) has teamed up with filmmaker Sooni Taraporevala of The Namesake (2007) to write and direct the project.

Ballet Boys is a musical-drama revolving around the story of two Mumbai dancers Amiruddin Shah and Manish Chauhan, and their Israeli-American mentor Yehuda Maor who triumphed against all odds get them into the London’s Royal Ballet Academy and the Oregon Ballet Theatre.

Speaking of the second-time collaboration with Kapur, Taraporevala said “I have always admired Sid’s filmography and his drive to tell stories that matter. I hope this collaboration will successfully bring to light the incredible and emotionally driven journey of the boys and their teacher, along with the fact that talent has no boundaries. There is so much talent in India that lies undiscovered and had it not been for Yehuda, this one too might have remained undiscovered.”

Along the same lines will be director Zoya Akhtar’s next film Gully Boy starring Ranveer Singh in the titular role; it is based on the lives of Mumbai rap artists Vivian Fernandes aka Divine and Naved Shaikh aka Naezy.

Ballet Boys is is pre-production stage and is expected to go on floors by January 2019.