Stories

Trailer of “Madgaon Express” promises to be a laughter riot

The long-awaited trailer of Madgaon Express has been unveiled at a spectacular event
attended by the cast and the makers of the film. Produced by Ritesh Sidhwani and Farhan
Akhtar under the banner of Excel Entertainment and directed by Kunal Kemmu, the film
features Divyendu Sharma, Pratik Gandhi, and Avinash Tiwary in brand new avatars.

The trailer promises an unforgettable journey packed with friendship, laughter, and wild
adventures and the film is all set to rule the hearts of the audiences with its dynamic cast,
known for their iconic characters from India’s Top web shows.

The anticipation around the film reached the highest of heights as the makers released
hilarious videos to introduce the cast, setting the stage for a rollercoaster ride of fun and
comedy. From the masterminds behind hits like Fukrey, Rock On, and Don and marking
Kunal Kemmu’s directorial debut, Madgaon Express follows the journey of three childhood
friends who embark on a trip to Goa that goes completely off-track.

Joining the stellar cast are Nora Fatehi, Upendra Limaye, and Chhaya Kadam, injecting
even more magic and humour into this multiverse of madness. So buckle up and get ready to
hop aboard the Madgaon Express, where every moment is an adventure waiting to be
discovered. With its mix of humour, crazy adventures, and pure entertainment, this film
guarantees a joyous ride for all!

Taglined “Bachpan ke sapne…. lag gaye apne,” Madgaon Express is directed and written by
Kunal Kemmu, and is all set to hit cinemas on March 22, 2024.

Why are Reality Shows so addictive?

If you, like me, are embarrassed to admit your addiction to lame and trashy reality shows – then you found the right video. Because you’re not alone.

I think reality shows are an ultimate form of escapism where we get to peek into other people’s lives and forget about our own problems for a while. They are like a soap opera on steroids, with real people as the stars of the show, serving a buffet for our brains.

There’s drama, romance, competition, with a side of cheesy one-liners and cringey moments. I mean, where else can you find a grown adult throwing a tantrum.

But what is it about these shows that keeps us coming back for more?

The drama queen within us — yes, all of us!

Let’s face it, there’s a little drama queen lurking inside all of us, just waiting to be unleashed. Be honest, how many of you have said “my life should be a reality show”.

Reality shows are a breeding ground for conflict, tension, and unexpected twists. Whether it’s a heated argument between contestants, conflict between friends or a shocking elimination, these moments of high-stakes drama get you hooked.

Another reason is that they’ve become even bigger now because they serve a Communal Experience

One of the most intriguing aspects of reality TV is its ability to bring people together… even if it’s to discuss the most ridiculous things like whether someone looks like Meghan Fox???

It’s downright ridiculous… and that’s precisely why we love it!

Whether its watching grown adults compete in bizarre challenges or witnessing the extravagant lifestyles of the rich and famous, reality shows never fail to deliver a healthy dose of absurdity. That probably explains another reason for the addiction…

The Underdog Story

Sometimes, it’s none of the above but simply our primal emotions to celebrate an underdog story. We root for the scrappy contestant who defies the odds, overcomes obstacles, and ultimately emerges victorious.

Reality shows are a guilty pleasure like junk food for the soul – you know it’s bad for you and your brain cells, but its hard to not binge on it.

What are you binging on these days?

Poacher: Prime Video Unveils the Powerful Trailer of Highly-Anticipated Original Series

Prime Video, India’s most loved entertainment destination, unveiled the hard-hitting trailer of the Original crime series, Poacher. Created, written, and directed by Emmy Award-winning filmmaker Richie Mehta, the upcoming series features Nimisha Sajayan, Roshan Mathew, and Dibyendu Bhattacharya in pivotal roles. Poacher is produced by QC Entertainment, the Oscar-winning production and finance company that has brought feature film hits such as Jordan Peele’s Get Out and Spike Lee’s BlacKkKlansman. Actor, Producer, Entrepreneur, Alia Bhatt is Executive Producer of the series. An eight-part crime drama based on true events; Poacher uncovers the largest ivory poaching ring in Indian history. The latest addition to the Prime membership, the crime series unfolds primarily in Malayalam, Hindi and English, and will premiere exclusively on Prime Video in India and across 240+ countries and territories worldwide on February 23 and will also be available in English, Tamil, Telugu, Kannada and Hindi and will have subtitles in 35+ languages.

The trailer provides a glimpse into the heartbreaking reality of the merciless and incessant killing of elephants. It follows a diverse group of wildlife custodians comprising forest crime fighters, police personnel, and good Samaritans, in their relentless quest to expose the largest ivory poaching ring in Indian history. But will the silent victims of these criminal acts – the helpless elephants – receive the justice they truly deserve? This question resonates deeply within the core of this thought-provoking crime series. Based on true events, Poacher skillfully sheds light on the consequences of human actions driven by personal gain and greed, thereby emphasizing the potential risks and endangering these species.

“As a global entertainment destination, at Prime Video, we have the incredible privilege of showcasing the best of Indian stories to consumers not just within the country but worldwide too. Poacher is a special story that will not just keep viewers gripped, but also evoke thought and lead to conversations on the all-important issue of wildlife crime,” shared Manish Menghani, director – content licensing, Prime Video, India. “We are incredibly excited and honored to collaborate with some of the most respected and credible names in the entertainment industry to bring this story to a global audience. From Richie Mehta – one of the most talented directors of our times, to the content powerhouse – QC Entertainment, to Alia Bhatt, who has come onboard in the capacity of an executive producer, Poacher brings the dream team together. It truly is a special story, and we can’t wait for audiences to enjoy this thrilling and thought-provoking story this February.”

“Every story has a hero and when you get to meet the ones who may not wear a cape and yet are fighting against crime and injustice, you are inspired to tell their story to the world. Poacher is my tribute to wildlife crime fighters – the dedicated forest service officers, fervent members of wildlife conservation and protection organizations, animal lovers — people who are risking their lives to prevent endangering the animal species due to the personal greed of poachers,” writer, creator and director, Richie Mehta, shared. “I am sure the series will act as an eye-opener in many ways – how interdependent and complex the relationship between humans and other species is, and how any negative action can result in an environmental imbalance, leading to dire repercussions. The series received an extremely encouraging and heart-warming response from the audience at the 2023 Sundance Film Festival and I am thrilled that now, with Prime Video we are taking this series wider, to audiences in around 240 countries and territories across the world.”

Executive producer Alia Bhatt shared, “Being a part of this project is such a source of pride for me and our entire team at Eternal. Poacher is a clarion call to address the grave and heartbreaking issue of animal poaching and illegal wildlife trade. I hope that Richie’s powerful storytelling compels everyone to champion the urgent need for wildlife preservation and encourages us to embrace co-existence with all living beings. I am so happy to have found partners in QC Entertainment and Prime Video to bring this narrative to the world.”

“Being a part of Poacher has been a transformative experience for me. My character is intricately layered, having nuances of a strong-willed forest official with deep empathy and love for wildlife,” shared Nimisha Sajayan, who plays the determined Forest Department officer, Mala Jogi. “She is driven to bring the poachers to trial, and goes beyond the call of duty to unearth the deep and wide network of ivory smuggling. The series will compel viewers to ponder on the irreversible impact of humans’ actions on animals and the environment. It is a story that needed to be told, and I am grateful to be a part of a forthright project highlighting such an important issue.”

“I’m thrilled to be part of Poacher, which sensitively deals with the dire issue of animal poaching for selfish gains. The series explores the complicated world of crime, corruption, and cover-ups related to elephant ivory poaching, which was creatively and conceptually exciting,” said Roshan Mathew, who portrays the role of an NGO worker in the series, Alan Joseph. “As someone who empathizes with the cause, I feel fortunate to play a character that deeply cares about nature and works for its protection. Richie’s masterful direction and the authenticity of the story make this series an exciting watch for anyone who enjoys crime dramas. With Prime Video making it available to audiences in India and over 240 countries and territories, I am hoping that Poacher will surely have a significant impact.”

“Over the course of my acting career, I have been a part of many projects, played a lot of diverse roles, and loved each one of them, but Poacher holds a special place in my repertoire and heart. From the moment I read the script, it intrigued me and compelled me to be a part of the narrative,” shared Dibyendu Bhattacharya, who plays Neel Bannerjee, the field director from the Kerala Forest Department. “The story tugs at your conscience, making you feel a myriad of emotions, from anger, rage, sadness to helplessness and hope. Such stories need to be told, to bring a deeper impact in society. It’s about valuing and treasuring life in all its forms. And I am really looking forward to seeing the audiences’ reactions to the series.”

You can watch the trailer here:

Poacher is executive produced by QC Entertainment’s Edward H. Hamm Jr., Raymond Mansfield and Sean McKittrick, in association with Suitable Pictures, Poor Man’s Productions and Eternal Sunshine Productions. Alan McAlex (Suitable Boy) serves as producer for Suitable Pictures. Also from Delhi Crime are Director of Photography Johan Aidt, composer Andrew Lockington and editor Beverley Mills.

38th BFI FLARE: LONDON LGBTQIA+ FILM FESTIVAL 2024 FULL PROGRAMME ANNOUNCED

The 38th edition of BFI Flare: London LGBTQIA+ Film Festival, one of the world’s most significant and long-standing queer film events in the LGBTQIA+ calendar, today reveals its full programme. BFI Flare will take place at BFI Southbank, which alongside packed screenings, will be buzzing with special events and DJ nights during the festival. A selection of titles will bege available to UK-wide audiences on BFI Player and to international audiences online via Five Films for Freedom – now celebrating its 10th year, in partnership with The British Council. BFI Flare is divided into three thematic programme strands: HEARTS, BODIES and MINDS and this year presents 33 World Premieres (across features and shorts) with 57 features and 81 shorts from 41 countries. Tickets go on sale on 20th February for BFI Members and on general sale from 22 February via bfi.org.uk/flare.

As previously announced, BFI Flare opens with the European Premiere of LAYLA, Amrou Al-Kadhi’s stunning debut feature which recently had its World Premiere at the Sundance Film Festival. Deeply personal and engaging, starring Screen Star of Tomorrow Bilal Hasna in the titular role, LAYLA tells the story of a struggling Arab drag queen whose confident façade hides their desperate desire for love. The Festival’s closing night film is the World Premiere of docu-fiction LADY LIKE by director/producer Luke Willis. LADY LIKE follows the story of London-born, San Francisco-based drag queen Lady Camden, aka Rex Wheeler, as she is catapulted into the spotlight on RuPaul’s Drag Race season 14. In this rags to riches origin story, Lady Camden struggles to manage the demands of her freshly minted international fame, while Rex is forced to come to terms with the troubling childhood he left behind in Camden which drove him to so desperately seek joy, fantasy and escape through the performing arts.

The BFI Flare 2024 Programming team are Grace Barber-Plentie, Jay Bernard, Diana Cipriano, Zorian Clayton, Rhianna Ilube, Darren Jones, Wema Mumma and Brian Robinson.

BFI FLARE Programmers said:

“This year’s BFI FLARE offers something new and refreshing to audiences – film gems aimed to inspire and celebrate the sheer diversity of queer communities around the world.  We’ve got a packed programme of screenings, talks and events. Whether you want to make badges, forge friendships or have a boogie, there’s something for all in this Festival.”

 

Further World Premieres being presented in the Festival include WE FORGOT TO BREAK UP – a pitch perfect romantic drama by Karen Knox featuring a trans musician caught in a love triangle with his bandmates as they rise to fame in this love letter to Toronto’s 2000s music scene. Two women hit it off in a lesbian bar, in Kat Rohrer’s WHAT A FEELING – a romantic comedy with real heart that explores migration, class and sexuality in Austria. Several slices of the London queer community talk in depth about what it means to create a family, in WHAT’S SAFE, WHAT’S GROSS, WHAT’S SELFISH and WHAT’S STUPID, a heartfelt DIY debut by Jasmine Johnson.

As previously announced, the European Premiere of the moving drama CLOSE TO YOU – based on a story by Dominic Savage and Elliot Page – screens as a Special Presentation, while BFI Flare also welcomes Page onstage at BFI Southbank on 15 March for a Screen Talk to discuss his remarkable career. Page also serves as Executive Producer on the electrifying drama BACKSPOT. Directed by D.W. Waterson, this punchy film is a blood, sweat and tears quest for athletic perfection with a phenomenal central performance from Reservation Dogs’ Devery Jacobs

Also included as a Special Presentation is Levan Akin’s impressive fourth feature CROSSING, a compelling drama which charts the unlikely alliance forged between two protagonists as they hit the road trying to trace a young trans woman who has vanished in Istanbul.

Kristen Stewart and Katy O’Brian are mesmerising in Rose Glass’ LOVE LIES BLEEDING. With its World Premiere at Sundance, the gripping and gory follow-up to Saint Maud finds a lesbian couple drawn into a web of violence in 1980s small-town New Mexico.

This year’s programme also features a variety of coming-of-age high school and college grad stories across genres. In Benjamin Howard’s powerful coming-of-age drama RILEY, Dakota Riley is a star-player on a football team whose secret gay life threatens to destroy him. The delightful debut feature by Noah Schamus SUMMER SOLSTICE sees a pair of recent college grads head for the hills on holiday, only to discover that they’ve already drifted apart. In Clare Cooney’s tongue-in-cheek, queer remix of slasher films DEPARTING SENIORS, making it to graduation is the least of these high schooler’s problems when there’s a murderer in their midst. A defiant trio of New Zeland schoolgirls battle against their strict matron in Josephine Stewart Te-Whiu’s satirical comedy WE WERE DANGEROUS.

The BFI Flare programme includes a wide range of global perspectives including beautiful slow burn romance WHO’LL STOP THE RAIN, following an art student who experiences first love after joining a protest group in post-martial-law Taiwan by I-Hsuan Su. A landmark film for India is director Onir’s semi-autobiographical tale PINE CONE on how the search for love can change over time, unfolding over key dates for gay rights in the country. A mother’s misguided instincts lead to crime in TOLL, a remarkable and impressively shot family drama with a sharp satirical edge by Carolina Markowicz following its Toronto International Film Festival premiere. In YUN Su-ik’s HEAVY SNOW, teenagers Suan and Seol form a connection on the sandy beaches on Gangneung, South Korea – a place they continuously return to in order to find each other. In the vibrant Bollywood-infused film, THE QUEEN OF MY DREAMS, Fawzia Mirza deftly intertwines the intergenerational dreams of a mother and daughter who are both trying to find their place in the world.

The programme showcases a number of authentic trans narratives including ambitious odyssey WOMAN OF by Malgorzata Szumowska that tells the story of a closeted trans woman’s life in small-town Poland and against the tumultuous backdrop of a crumbling Soviet Bloc. A group of visionary hijra in Delhi form a modelling agency to bring the traditional third gender into the 21st century in Tathagata Ghosh’s INDIA’S 1st BEST TRANS MODEL AGENCY.  Direct from the 2024 Sundance Film Festival, Jules Rosskam’s DESIRE LINES a journey through the archives addresses the long-standing phenomenon of trans men developing a gay identity after transition. Inventive documentary by Marek Kozakiewicz, WE ARE PERFECT follows an open audition for a rare trans masculine role that attracts 300 candidates, uncovering both raw talent and a revolutionary spirit.

Following the theme of drag prevalent in the programme is UNICORNS, Sally El Hosaini and James Krishna Floyd’s stunning romance rooted in two distinct communities. Starring Ben Hardy and Jason Patel, the film is loosely inspired by the real-life experiences of Asifa Lahore, Britain’s first out Muslim drag queen.

BFI Flare will present the World Premiere of Kip Andersen and Chris O’ Connell’s upbeat documentary, JOIN THE CLUB, exploring the little known story of how the AIDS crisis in San Francisco led to marijuana legislation in America. An act of active resistance, and a fight for LGBTQ+ rights led by Dennis Peron, a pot dealer who outsmarted the police to alleviate the physical and mental suffering of AIDS patients.

Festival favourite Jeffrey Schwarz’s (Boulevard! A Hollywood Story, Tab Hunter Confidential, I Am Divine) returns to BFI Flare with COMMITMENT TO LIFE, his moving star-studded documentary exploring how community action mobilized around AIDS in Los Angeles, featuring revealing insight from ordinary people and Hollywood celebrities alike who kickstarted initiatives, change lives and help make history. This screening is supported by the Interbank LGBT+ Forum members: Bank of America, BBVA, BNP Paribas, DTCC, Evercore, FactSet, IG, Lloyds Bank, State Street.

Sam Sahid’s sumptuously made documentary, HIDDEN MASTER: THE LEGACY OF GEORGE PLATT LYNES, celebrates the sensuous images of George Platt Lynes (1907-55), a renowned celebrity portraitist and fashion photographer who was also the creator of a secret archive of male nude photography. Shahid’s beautiful film is an eye-opening delight that reveals the talents of an exceptional gay artist.

Direct from the 2024 Berlinale, BALDIGA – UNLOCKED HEART is Markus Stein’s portrait of Germany’s enfant terrible of photography, Jürgen Baldiga, documenting his riotous life and tragic death through his diaries, archives and extensive interviews with those who knew him, illuminating the AIDS crisis in 1980s underground Berlin. An original punk artist from first to last, Baldiga began a visceral series, busting taboos around HIV, documenting his life and death after testing positive in 1984.

Expanding on the careers of these two 20th century originators in gay photography will be ‘Developing Muscles’, an illustrated lecture presented by BFI Flare programmer Zorian Clayton; this homoerotic history of photography will chart some of the queer inspirations and influences on Platt Lynes and Baldiga.

Greece is one of the most popular LGBTQIA+ holiday destinations in the world, with a long history of same-sex relationships dating back to the Greek poet Sappho. This year’s Festival sees a number of Greek titles explore the country’s sun-soaked landscapes, rich cultural history and LGBTQIA+ narrative connections, with an industry event also delving into the region.

ALIGNED, Apollo Bakopoulos’ beautiful and engaging drama, follows the story of two male dancers who forge an artistic and sexual bond while training with a dance company in Greece. The intoxicating power of physical discovery and a shared love of Greek culture are vividly revealed in this love story partly played out through music and movement.

BFI Flare presents the World Premiere of LESVIA, Tzeli Hadjidimitriou’s initimate documentary, a blissfully nostalgic yet impressively complex insight into the hidden stories of Lesbos, birthplace of Sappho and meeting place for lesbians since the 1970s. From the unique vantage point of being a lesbian from Lesbos herself, Hadjidimitriou expertly balances the perspectives of the women looking for a place to connect and relax alongside the wary locals they often encounter.

Ravishing to look at, Zacharias Mavroeidis’ seductive and smart gay comedy THE SUMMER WITH CARMEN is a memorable, sharply written dissection of filmmaking, friendship and sex. Demosthenes and Nikitas are trying to write a gay film script while on holiday on one of the Greek islands. Sex and relationships are key, but family and friends often get in the way. Also screening is Krysianna Papadakis’s lesbian short, BEARCAVE, where two lovers on the hills of rural Greece have their romance interrupted when one of them gets pregnant.

Triggered by the recent death of a Cameroonian activist, filmmaker Appolain Siewe journeys back to his home country to investigate the roots of homophobia within the local psyche in CODE OF FEAR. Siewe initiates uncomfortable conversations within his community regarding homosexuality and ostracised by his family, he finds himself confronted with the steep cost of African allyship.

10 years after its release, Jim Chuchu’s award-winning anthology STORIES OF OUR LIVES continues to be a landmark film in the realm of queer African cinema. A compilation of five shorts – snapshots of queer Kenyan culture, from the perspective of queer Kenyans – these cinematic stories feel as fresh as ever. STORIES OF OUR LIVES screens with THE ARCHIVE: QUEER NIGERIANS, Simisolaoluwa Akande’s award-winning short, a living audio-visual archive which chronicles the lives of five queer Nigerians, working to reconcile their diasporic lives with their indigenous cultures.

Stephen Soucy’s MERCHANT IVORY is a wonderfully entertaining and insightful film that honours two exceptional creators – Ismail Merchant and James Ivory, and the films they created, as told by their collaborators. In Sav Rodgers’ CHASING CHASING AMY, a film fanatic explores their enduring love for Kevin Smith’s 90s bisexual romcom, uncovering a little more than they bargained for.

The programme pays tribute to queer musical icons with two documentaries. LIL NAS X: LONG LIVE MONTERO follows Lil Nas X, behind his witty and occasionally controversial online presence, as he embarks on his first live tour in a world where being an openly gay Black rapper still feels like a rarity by Carlos López Estrada. By Stuart Pollit, DON’T EVER STOP is the amazing story of legendary DJ and record producer Tony de Vit, who changed many lives with his music as he kept the ’90s generation dancing through the worst years of the AIDS epidemic.

Replete with excellent archival footage and great music, Marc Saltarelli’s riveting documentary STUDIO ONE FOREVER journeys back in time and spans the disco era to the AIDS crisis, offering insights into dance and celebrity culture in the 70s as Studio One blazes a trail as the first and largest gay disco in the USA. Music plays an important role in a number of narrative features. Chloé Robichaud’s DAYS OF HAPPINESS is a carefully wrought study of an unforgettable queer artist, a rising-star conductor in Montreal who navigates the intense power dynamics related to her role, with a musical score that will both delight and haunt for days after. In the urgent I DON’T KNOW WHO YOU ARE by M.H. Murray, musician Benjamin races against time on an increasingly desperate odyssey across Toronto to procure funds for HIV prevention treatment following a sexual assault. REAS, an empowering documentary-musical hybrid by Lola Arias where a group of prison inmates re-enact their lives and sentences, balancing memories with fantasy.

This year’s programme features narratives that explore the experience of being a person of faith in the LGBTQIA+ community. Set near a rapidly eroding coastline in a small southern Thai town, SOLIDS BY THE SEASHORE follows Shati, a local Muslim woman, who grabbles with her feelings for Fon, a visiting artist, after they meet by chance and quickly develop a friendship in Patiparn Boontarig’s striking debut feature. The World Premiere of Jeremy Borison’s intriguing and important drama UNSPOKEN focusses on a closeted Orthodox Jewish teen who discovers his grandfather might have loved another man, prompting a journey towards self-discovery. Sexual identity and family collide in Nadir Moknèche’s complex drama YOU PROMISED ME THE SEA, which explores the arranged marriage of Saïd and Hadjira, who are forced to confront the implications of Saïd’s secret sex life as his online cruising results in no shortage of takers. To compliment these films, this year’s events programme features a panel discussion about representations of religion in LGBTQIA+ films with speakers from different religious communities (read more in events).

BFI Flare will also screen four of the best queer films from the past 12 months including: Eight-year-old Lucía takes a trip with her mother in Estibaliz Urresola Solaguren’s 20,000 SPECIES OF BEES, a sensitive portrait of three generations of women spending a summer together in the Basque Country, just as the youngest comes out as transgender. Andrew Haigh received a BAFTA nomination for directing ALL OF US STRANGERS, a dreamlike and intense meditation on life, loneliness and gay experience, beautifully conveyed by a stellar cast led by Andrew Scott and Paul Mescal. Emma Seligman’s hilarious second film BOTTOMS which sees Rachel Sennott and Ayo Edebiri play the school’s ‘ugly lesbians’ who start a fight club to hook up with cheerleaders and lose their virginities before they go to college. Colman Domingo is rightfully sweeping-up award nominations for his incredible performance in George C Wolfe’s RUSTIN as an African American Civil Rights activist who is finally given the recognition he deserves here, as we follow his pivotal contributions amidst the scrutiny of homophobia from his colleagues, including his role in the 1963 March on Washington.

This year’s BFI Shorts programme is split across over a dozen thematic selections and features with themes including Tender hearted: Shorts from UK & Ireland, A Taste of Spain and Methods of Facing a Hostile World, further breakdown below.

As previously announced, this year’s Festival sees the 10th year of #FiveFilmsForFreedom in partnership with the British Council. This landmark initiative presents five films for free to audiences globally and invites everyone everywhere to show solidarity with LGBTQIA+ communities in countries where freedom and equal rights are limited. The 2023 LGBTQIA+ digital campaign attracted over three and a half million views from around the world with a quarter of views coming from parts of the world where freedom and equal rights are limited.  The project allows audiences worldwide to show solidarity with LGBTQIA+ communities and the 2023 selection spanned from Guyana, Northern Ireland, Cyprus, Nigeria, South Korea, with each story celebrating love as a human right. Since its launch in 2015, Five Films for Freedom films have been viewed by 23 million people, in over 200 countries and principalities. The Five Films for Freedom shorts will be available to watch for free UK-wide on BFI Player, as well as a special BFI Flare event and screening celebrating 10 years of the groundbreaking initiative and this year’s selection.

BFI Flare x BAFTA in partnership with BFI NETWORK, the successful professional development programme, also returns this year for its 10th edition with a new cohort of six filmmakers. Made possible thanks to National Lottery funding, it was established to showcase and support LGBTQIA+ UK filmmakers with a programme that aims to explore the realities of producing LGBTQIA+ work in the UK today, and to develop and strengthen professional networks. Over the last nine years it has supported 53 LGBTQIA+ filmmakers, and includes an impressive list of alumni who have since built sustainable careers in the industry, including numerous BAFTA-wins and nominations.

For anyone working in a professional capacity in film production, distribution or exhibition, the BFI Flare Industry Day on Saturday 16 March, will focus on creating stronger opportunities for industry professionals to build and develop industry connections and be inspired through informative panel discussions and an industry networking event. Topics under discussion will include how different roles can provide support for production teams to ensure their sets are safe and supportive places for all, prioritising cast and crew wellbeing and creating a positive working culture as well as an in depth look at the representation of queer sex on screen and the practicalities of shooting intimate scenes.

Celebrating the Journey with Mr. Joy Alukkas for a Three-Day Extravaganza in London

A remarkable three-day event, “In Conversation with Mr. Joy Alukkas,” which garnered significant attention and acclaim from attendees and media alike.

Mr. Joy Alukkas is the founder and chairman of the eponymous global retail brand Joyalukkas
Jewellery. Originally from Thrissur in Kerala, he is credited with modernizing the Indian
jewellery retail business globally. Branching out on his own from a family-run business, he
disrupted the traditional model of standalone jewellery stores and created a global chain
comprising 160 stores in India, the Middle East, Southeast Asia, the UK and the US. His
diverse business interests include forex remittance and textile retail under the brand names
Joyalukkas Exchange and Jolly Silks, respectively. He figures on the Forbes’ Billionaires list of
2023 and is regarded as one of the most prominent business leaders of the Arab world.

The event, spanning from 5th to 7th February, 2024, showcased the extraordinary journey of Mr. Joy Alukkas and his autobiography, ‘Spreading Joy – How Joyalukkas Group became the world’s favourite jeweller,’ founder and chairman of Joyalukkas Jewellery, in various prestigious venues across London.

Day One: The event kicked off on the 5th of February at the esteemed Portcullis House, UK Parliament, where dignitaries including Members of Parliament such as Virendra Sharma, Martyn Day, and Stephen Timms, along with Baronness Uddin among others, gathered to honor Mr. Alukkas’ achievements. The event was presented by The British South India Council of Commerce (BSICC) and hosted by Mr. Martyn Day.

Day Two: An inspirational afternoon took place at the London College of Contemporary Arts, where students from various programs gathered to engage with Mr. Alukkas. He shared words of wisdom about the jewellery business and navigating the market, followed by an engaging Q&A session that left the audience inspired.

Day Three: The final leg of the event culminated at the esteemed London School of Economics, where once again, students from diverse backgrounds had the opportunity to learn from Mr. Alukkas’ experiences and insights. The session was interactive, with students actively participating in discussions about entrepreneurship and the jewellery industry.

Throughout the three days, attendees were treated to select extracts from Mr. Alukkas’ bestselling autobiography, ‘Spreading Joy – How Joyalukkas Group became the world’s favourite jeweller,’ offering a glimpse into his compelling narrative of resilience, innovation, and excellence.

“We are honored to host Mr. Joy Alukkas and share his inspiring story with the world,” remarked Mr. Martyn Day. “His journey exemplifies resilience, innovation, and a relentless pursuit of excellence.”

The event provided attendees with a unique opportunity to engage with Mr. Joy Alukkas and delve into his transformative impact on the global jewellery retail industry. It also saw guests lined up to get their copies signed by Mr. Alukkas himself, followed by an exclusive book signing session where students and future entrepreneurs had the chance to interact with the renowned businessman.

‘Spreading Joy’ captures Mr. Joy Alukkas’ phenomenal entrepreneurial journey and provides
rare insights into an industry traditionally fragmented and unorganized. Through
innovations such as the use of karatmeter and pioneering billing software, Mr. Joy Alukkas
transformed the gold-retailing business, earning him the title of ‘customer’s favourite
jeweller.’

Alia Bhatt named Exec Producer for Amazon Original Crime Series ‘Poacher’ on elephant poaching

Prime Video today announced that actor, producer and entrepreneur, Alia Bhatt has come onboard as Executive Producer for its upcoming Amazon Original Series Poacher, produced by QC Entertainment.

An investigative crime series based on true events; Poacher unearths the largest ivory poaching ring in Indian history. A first-of-its kind project, Poacher brings the world of environmental conservation and entertainment together with the intent of highlighting a key global concern – illegal poaching.

Emmy-award winning filmmaker Richie Mehta has created, written, and directed the series, which boasts of a diverse and talented cast comprising Nimisha Sajayan, Roshan Mathew, and Dibyendu Bhattacharya in pivotal roles.

Poacher which unfolds primarily in Malayalam, Hindi and English, is set to premiere exclusively on Prime Video in India and across more than 240 countries and territories worldwide on February 23 in multiple languages. The crime series is the latest addition to the Prime membership. 

A globally celebrated artist, Alia is also known as a champion of nature and has actively lent her voice towards conservation and sustainability. Her association with Poacher as an Executive Producer with her production company Eternal Sunshine Productions, underscores her belief in the story and her commitment to bring important and relevant stories alive and be a voice for the voiceless. 

Talking about coming onboard as the Executive Producer for Poacher, Alia Bhatt shared, “Being part of this incredibly significant project is an honor, for both me and the entire team at Eternal Sunshine Productions. The impact of Poacher was deeply personal, and Richie’s portrayal of the urgent issue of wildlife crime resonated strongly with me and the team. The storytelling genuinely moved me, especially knowing it’s based on true events, that sheds light on brutal crimes occurring in our forests. I am confident that Poacher will serve as an eye-opener, delivering a powerful message to be more compassionate and considerate towards all living beings. It’s a call to embrace coexistence and I am genuinely thrilled to be collaborating with Richie, QC and Prime Video and to contribute to this narrative.” 

“Alia coming on board Poacher is truly a dream come true. In addition to being a world class actress she has proven to be a selfless philanthropist channeling her well respected and earned celebrity status for championing positive causes. Her involvement in this series helps raise awareness for the important issues addressed in the show. The most important of which is, we are all one interconnected humanity and planet. It’s crucial that we treat it with the respect and consideration it deserves,” said QC principals Hamm, Mansfield & McKittrick. 

Poacher is executive produced by QC Entertainment’s Edward H. Hamm Jr., Raymond Mansfield and Sean McKittrick, in association with Suitable Pictures, Poor Man’s Productions and Eternal Sunshine Productions. Alan McAlex (Suitable Boy) serves as producer for Suitable Pictures. Also from Delhi Crime are Director of Photography Johan Aidt, composer Andrew Lockington and editor Beverley Mills. 

Apart from her pursuits in cinema, Alia has passionately helped raise awareness about relevant causes such as environmental sustainability, animal welfare and mitigating human-animal conflict through her platform, Coexist. She also promotes sustainable fashion through her initiative, Mi Wardrobe is Su Wardrobe. 

Sanjay Leela Bhansali’s ‘Heeramandi: The Diamond Bazaar’ premieres on Netlfix

In the midst of a power struggle in Heeramandi, a young heir caught in the crossfire chooses love
over succession, disrupting the status quo. Set in pre-independent India against a burgeoning
freedom movement, the final thread holding the art of tawaifs (courtesans) is put to the test. Hailed
as the grandest and most-awaited series of the year, the creative visionary, Sanjay Leela Bhansali,
is set to unveil his 14-year passion project in collaboration with Netflix, to global audiences.

Prepare for your personal screens to be adorned with an epic saga of love, power, revenge and
freedom. The series promises to be a profound celebration of art, culture, beauty, and Bhansali’s
legacy. The series by Bhansali Productions comprises a cast of sparkling heeras, including the
supremely talented Manisha Koirala, Sonakshi Sinha, Aditi Rao Hydari, Sharmin Segal, Richa
Chadha, and Sanjeeda Sheikh. Together, they personify grace on screen, each contributing to
the irresistible odyssey of Heeramandi.

Leave the World Behind – 5 uses of symbolism

Imagine you wake up one morning, and spontaneously book a weekend getaway with your family, in a town far away from the city. You book a gorgeous Airbnb home, with an outdoor pool, acres of greenery to connect with nature, and a fully stocked house.

You get there, unpack, start having a good relaxing time…

Then, something odd happens.

You lose all internet connectivity, there’s no electricity, no access to the news, and the owners of the Airbnb want their home back in the middle of the night, because there’s a power outage.

Leave the World Behind is an apocalyptic psychological thriller starring Julia Roberts, Mahershala Ali, Ethan Hawke, Myha’la Herrold and Kevin Bacon, based on the 2020 novel by Rumaan Alam.

The film is a slow burn that gradually builds tension and suspense, showing the chaotic and mysterious occurrences, such as the herd of deer, flamingos and even Friends. But what did all those elements symbolise?

Let’s find out!

< Spoilers Ahead >

Blue

You must’ve noticed the striking blue walls in Amanda and Clay’s bedroom in the opening scene. Its jarringly bright.

But did you also notice the use of the colour throughout the film – their car, their clothes, the towels, the beach umbrellas, the tablet, the light from the TV and the pool.

The colour blue is often associated with feelings of calmness, serenity, peace, stability and evoke a sense of tranquillity. This is one of the reasons why most corporate logos and branding is coloured blue – it’s dependable (example, Facebook)

And the use of blue in the film symbolised exactly that – the safe and stable nature of the world. Most of Julia Roberts, or Amanda’s clothes are shades of blue, signifying her pragmatic nature and approach to the situation. Similar can be observed in sequences where Mahershala Ali, or George is seen wearing blue – he is calm and collected, trying to sensibly solve the mystery.

Until it slowly started shifting and we see shades of red. And as we all know – red is seen as a sign of danger, caution and the unknown.

Deer

In some cultures, deer are seen as messengers from the spirit realm, guiding individuals. Perhaps, that’s why they kept showing up at the house and even surrounded Ruth (Herrold) and Amanda (Roberts) in the forest, to guide them to safety.

This also leads to some other characteristic of deer for being vigilant, resilient, adaptable, and aware of their surroundings to navigate through changes quickly – traits humans often struggle with in the face of adversity. That is why they panicked and screamed at the herd, instead of connecting to nature’s message to protect them.

In certain cultures, deer is also linked to fertility and the cycle of life. The shedding and regrowth of their antlers each year can symbolise renewal, regeneration, and the cyclical nature of life. Perhaps their recurrence was another sign of the world, as we know it, collapsing and a reset or birth of another is in the making.

Flamingos

Flamingos are usually known for their aesthetic appeal with their vibrant pink and coral-coloured feathers. They are typically associated with tourist attraction at exotic locations such as lush resorts or wildlife sanctuaries.

Like all animals, Flamingos too are adaptable to various environmental changes and thrive in diverse situations. Hence, symbolizing the changes in the world and the need to travel in flocks to survive – representing the importance of community, cooperation, and social connection.

Moments before they arrive, we see Clay (Hawke) and Ruth break the ice. They try to get to know each other outside of their current situation and build a connection. Simultaneously, we witness George and Amanda share a bond by being honest, sharing a drink, being vulnerable, and dancing.

At this moment, all the preconceived notions they had of one another shed away, and they learn to act as a unit to survive.

In some mystical traditions, Flamingos are also seen as symbols of psychic awareness and mystery – perfectly contributing to the mood of the film.

Friends

As someone who grew up on Friends and immensely loves the show, this was such a refreshing and sweet inclusion in the film. However, what was most interesting was that a young Gen Z of 13 years adored the show just as much and found comfort in the characters.

The emotional impact of Friends is well known around different parts of the world. It’s central theme of friendship and the strong bond among the main characters, supporting each other and surviving through thick and thin has universal appeal and resonates with people.

This is perhaps what it symbolises in the grand scheme of things in Leave the World Behind. However, for Rose (Farrah Machenzie), it symbolises escapism from the uncertain and unstable world to a perfect world that doesn’t really exist. There’s another aspect of dependence of technology (more on that later), the culture of binge watching and the addiction of instant gratification.

Rose’s departure from the home portrays her lack of concern for the well-being of her family, or herself. She’s fixated on escaping from reality and finding all means to watch her beloved show. When she finally gets her hands on the DVDs, instead of continuing from where she left off, she chooses to fast forward to the last episode to see the end.

Her behaviour is a classic example of seeking immediate rewards or pleasure to avoid discomfort without considering the potential long-term consequences … of leaving her family behind for a TV show.

Technology

Rose’s yearning to know how Friends end and not being able to access the internet to stream the show, highlights our dependency on technology and our addiction towards it.

And, this is emphasised throughout the film.

The family is shown driving off from the city to their getaway, each using a piece of technology – with Amanda being on the phone, Clay turning on the radio, Archie (Charlie Evans) using his headphone and Rose watching Friends on her tablet.

This is completely flipped when they are instantly disconnected from the world and any form of news or entertainment, when the internet and all tech is down / hacked.

Another example highlighting the risk of the addiction is when all roadways are blocked by a row of crashed Tesla cars, self-driving electric vehicles that have no control without human intervention. While self-driving cars are an exciting technological design for improving / aiding humans, complete reliance on it is dangerous.

Popcorn Rating –   [5/5]

Leave the World Behind is not your usual apocalyptic thriller which reveals the doom and simply capture its characters’ survival. It’s a terrifying psychological experience that can potentially be real.

I’m sure there’s a whole lot more that I’ve missed.

Did you notice any other elements of symbolism in the film?

‘May December’ gives us an insight into the mind of a method actor

Have you ever wanted to witness an actor’s process of method acting and their preparation. If yes, then watch May December, starring Natalie Portman, Julianne Moore and Charles Melton.

The film is loosely inspired by real scandalous incident of an affair between a 34-year of

school teacher and her sixth-grade student in Washington.

May December starts off in present day, when an actress Elizabeth (played by Portman) travels to meet and study the controversial teacher, Gracie (played by Moore) whom she is set to play in an upcoming film.

We witness the infamous couple who’s been married for approximately 20 years, through the eyes, observations and research of Elizabeth who questions the foundation and truth about this marriage, just like the viewer.

The film is hauntingly slow but succeeds at building intrigue and curiosity by relying heavily on Portman’s performance, who is essentially slipping into another actress’ shoes – Julianne Moore.

This is where the May December gives us a profound insight into the mind of method actor and the sheer brilliance of a true artist, who can embody another human physically, mentally, and emotionally.

Elizabeth (or Portman) peels the layers of the story from various angles and shadows her subject intently to grasp its essence.

It may not be obvious for most of the run-time of the film, but don’t give up on it because the last 15 minutes or so will shock you.

You can almost feel the switch go off and the numbness within Elizabeth when she plays Gracie, using emotional and sensory memory.

It’s no surprise that not all actors subscribe to the approach of method acting as it can be difficult to shake off some complex characters.

Popcorn Rating –   [3/5]