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‘Cargo’ has a slow pace but it’s an intelligent film

Cargo is a fascinating and subtle blend of science fiction and mythology. It is a charming and honest film!

Set in 2027, the film introduces us to a world where humans (referred to as Cargos) die and arrive at a spaceship to be prepared for reincarnation. A new species called the ‘Homo Rakshasas,’ who are descendants of mythical demons have signed a Rakshas Manushya Peace Treaty with humans to change the experience of deceased humans post death. 

Prahastha (played by Vikrant Massey) manages the operations in one of the spaceships named ‘Pushpak 634-A.’ He has lived alone on the spaceship for nearly 75 years, tediously following the same protocols of transitioning the dead day after day, year after year.

After decades of working alone, he is assigned an assistant Yuvishka (played by Shweta Tripathi) to join him on-board. She is a valedictorian from the ‘National Technology of Transition University’ and an asset to Prahastha’s team as she possesses healing powers to help humans. 

Scene from Cargo

Cargo has a slow pace which may not be everyone’s cup of tea, but the mood and nuanced texture of the film keeps you hooked. It draws you into its world.

Though the film is set in the future, various features and props are visibly dated.

For example, the old-school TV set used for communication, the transistor radio, controllers on the machines, and receipt printers used for daily list of deaths on schedule.

This is perhaps a representation Prahastha’s his character – a man who is evidently living in the past.

He’s lived in the future (space) for 75 years but still writes to the woman he loved eons ago, the norms of gender equality in the workforce are alien to him, and he is unfamiliar with the world of social media.

Scene from Cargo

The screenplay takes time to unfold and peel the various layers. However, it doesn’t elaborate on the intricate details & wry humor, which could’ve helped make up for its pace. 

Cargo leaves a lot of questions unanswered such as how do the new-age demons get their superpowers or what happens to the souls in transition? What is the average lifespan of demons? Can humans and demons co-exist on Earth? Why hasn’t life on Earth / India changed at all in the future? …

Scene from Cargo

Typically when a film has an ambiguous ending, it feels unfinished. But for some odd reason Cargo feels fine.

It leaves you with light numbing calmness.

It essentially becomes a story about evolution and the cycle of life – somethings have to end to make way for new beginnings.

That is also metaphorically depicted through the reincarnations of the cargos (humans) and even Prahastha’s retirement followed by Yuvishka’s role on ‘Pushpak 634-A.’

Scene from Cargo

Written and directed by Arati Kadav, Cargo is an experimental and ambitious film with a very unique concept.

Though not perfect, it is an intelligent film with so much to decipher. You may even be inclined to watch it more than once!

Cargo is currently streaming exclusively on Netflix.

Bollywood resumes work but group dance numbers will have to wait

Bollywood is back on track with production of content across different mediums, including outdoor shoots.

While most of the work is back on track under strict safety guidelines to prevent the spread of COVID-19, some iconic “filmy” trends may be a thing of the past – one of them being the group dance sequences.

Songs choreographed with numerous background dancers is a common practice in Bollywood films. It’s an iconic element that distinguishes South Asian films from global cinema.

However, it’s a trend that will have to be excluded from films that are under production during the Coronavirus pandemic, owing to regulations to protect the health of artists.

Cast of Bunty Aur Babli 2

Reportedly, shooting of Bunty Aur Babli 2 was scheduled to resume with an elaborate choreographic song with nearly 200 chorus dancers accompanying the lead cast. However, as per reports producer Aditya Chopra decided to reduce the number of dancers at the request of his lead pair actors Rani Mukerji and Saif Ali Khan.

Speaking on the subject, filmmaker Anees Bazmee believes this is only a short-term precautionary practice under the current circumstances.

“Where will these wage earners go if they are eliminated? The government’s guidelines are only a short-term solution,” he said.

Apart from restriction on the number of members on set, the guidelines also stipulates the mandatory use of face masks for cast and crew except for the actors in front of the camera.

Additionally, sharing of wigs, makeup and costumes is prohibited as well as minimal usage of props on film sets is advised.

Behind the scenes from Happy New Year [2014]

While some makers may view this as a hindrance to the creative process of filmmaking, writer-director Manish Gupta believes they are “very well thought-out and comprehensive guidelines.”

“The real challenge will be the implementation. Whether a unit of 150 or more people will actually follow each guideline so strictly? Or will complacency creep in?” he opined.

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John Abraham describes Bollywood as “a very democratic place”

Actor and film producer John Abraham has secured a place for himself in Bollywood with a career spanning nearly two decades.

As an “outsider” who worked hard to climb up the ladder on his own merit, he has certainly learned a few things about the industry and how it functions.

Currently, when the Hindi film industry is being criticized and constantly under the scanner for all the wrong reasons, Abraham says it “has been very gracious and extremely good.”

“People who are accommodating, some who are not so accommodating… Contrary to the way people are looking at our industry today, I think it’s a good place, it’s not that bad.”

John Abraham
John Abraham

Elaborating on the subject, the Satyameva Jayate [2018] actor feels that since the film industry is always in the limelight and “conspicuous,” it tends to be scrutinized even more. He believes that Bollywood offers a space for everyone to create their own path.

Have I got opportunities from people who have been in the industry? Yes. Have I been the flag bearer for taking people from outside the industry (in films I produced)? Yes. I have been in both places, and there’s no thumb rule that someone is good or bad. It’s a very individual place. You can choose to create your own path.”

John Abraham

He also described Bollywood as “a very democratic place” and hopes to be recognized as an example of a survivor who can help change the perception of the industry.

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Gajraj Rao believes age of a character is not important

Actor Gajraj Rao rose to fame as the caring husband and responsible father with the success of Badhaai Ho [2018].

However, he has over 25 years of experience in acting playing diverse roles in films as well as web content.

In a recent interview with Hindustan Times, Rao opened up about his new-found stardom and receiving all the love and adulation coming his way.

“I was getting appreciation but from a small segment of writers, filmmakers and critics. My work must have reached the larger section of the society but I came into the radar of the audience with my recent films. I am also very proud of my work in the last 25 years,” he said.

Gajraj Rao - Image from Shubh Mangal Zyada Saavdhan

While several actors prefer playing younger characters, Rao is excited to experiment and enjoy the process of acting. 

Acting is a very amazing profession. I am not a politician but I play a corrupt politician in Lootcase [2020]. I am not a police inspector but I played Inspector Dhaniram in Talvar [2015]. I am not a detective but played one in Black Friday [2007]. I played a CBI inspector in Dil Se [1998]. Age of a character is not important for me… I have no objection to playing an older character.

Gajraj Rao
Gajraj Rao - Image from Dil Se

Speaking of his journey in Bollywood and opportunities as an outsider, Rao shared his point of view on the debate saying,

I believe you get work on the basis of your talent. If all of us will talk about being an insider or outsider, many big stars wouldn’t have achieved stardom. Dev Anand launched his son Sunil Anand. Mukesh’s grandson has also been working very hard but success doesn’t come easy. Indian audience is very selective and knows whom to grade and not to grade.

Gajraj Rao

Recently, he also donned the hat of a director for the promo of a new TV show’s promo Indiawaali Maa, shooting it remotely through video calls.

[THE QUOTES IN THE STORY HAS BEEN SOURCED FROM ANOTHER PUBLICATION. POPCORN PIXEL ACCEPTS NO RESPONSIBILITY OR LIABILITY FOR ITS AUTHENTICITY AND DATA OF THE TEXT, AND RESERVES SOLE RIGHT TO ALTER OR DELETE THE CONTENT AT ITS DISCRETION, WITHOUT NOTICE].

#TrailerTalk – ‘Aashram’ explores the dark world of Godman in India

Aashram, an MX Player Original explores the dark and mysterious world of Godman in India.

Starring actor Bobby Deol in the lead, the trailer of Aashram released earlier this week; its opening dialogue “Main aap sabko moksha ki rah par leke jaaunga” [I will lead you through the path to salvation] sets the tone of the subject.

Set in a fictional city of Kashipur, a self-proclaim Godman named Baba Nirala is worshipped as the community’s Messiah.

His aashram is promoted to be different from “typical aashrams” where Baba Nirala’s devotees have blind faith in him and his Godly work.

Scene from Aashram

What follows in the rest of the trailer is a mirror of our society where people’s insecurities and weaknesses are exploited in the name of faith and devotion.

There’s politics, corruption, deceit, manipulation and even murder on the pretext of preaching for peace.

The trailer of Aashram may remind you of the real-life case of self-proclaimed Godman Gurmeet Ram Rahim Singh who led a religious cult by the name of ‘Dera Sacha Sauda’ and is now a convicted rapist and murderer.

You can watch the trailer here:

Bobby Deol is making his digital debut after a long hiatus from mainstream commercial films.

Aashram will be streaming on MX Player on 28 August, 2020.

‘Gunjan Saxena: The Kargil Girl’ is a well made film, whether you like it or not

Gunjan Saxena: The Kargil Girl directed by debutant Sharan Sharma released on Netflix August 12, 2020.

It’s been a hot topic for various reasons but there’s no denying that it is a well made film. Whether you liked it or not is a different story!

The film is based on the life of Indian Air Force (IAF) officer, Gunjan Saxena who became the first Indian woman to fly in a combat zone.

And that’s about all we knew of her before Bollywood decided to make this biopic.

As audiences we made our assumptions on what to expect from the film, especially with a subject that revolves around the Indian Air Force and a woman facing challenges to break the glass ceiling.

The standard perceptions in this case were – a woman fighting, crying in frustration, maybe even screaming to get attention or be taken seriously, but we see none of that from the lead.

We expected lectures on patriotism and the passion to fight in a uniform, but we don’t see that either.

What Gunjan Saxena: The Kargil Girl does show is a young girl who has a dream and lives each day trying to make it a reality.

Scene from Gunjan Saxena

She simply wants to fly a plane above the clouds. That’s it!

What we sometimes forget is that filmmakers have right to take creative liberties wherever applicable when making a commercial film. It’s not a documentary.

And this biography is certainly vetted by the hero herself, as they closely worked together to develop the story.

There have been several criticisms over Janhvi Kapoor’s portrayal of the role being too “expressionless,” “dull” and “uninspired.”

And while I understand it, I don’t agree. I think the method applied here is less is more.

As per the film, Saxena was a young girl in school when her brother and mother strongly objected against the idea of her becoming a pilot. Following which she repeatedly encountered roadblocks that kept pushing that dream farther away from her.

She’s introverted and innocent.

She deals with the constant disapproval from family members, financial constraints to apply for training, and even meeting basic requirements to qualify for the program.

How many of us fight such battles almost every day? And we aim to do so calmly, rationally, even when we’re in doubt.

So why are we expecting to see the “hero” of the film to be any different. Aren’t films a depiction of reality?

Scene from Gunjan Saxena

Saxena is a woman of few words. Overtime, she has been conditioned to “stay low” to avoid confrontation and perhaps even lower her expectations.

When she enters a world mainly led by men, i.e. the Indian Air Force, she doesn’t expect them to welcome her with open arms. She’s sidelined and left alone to go through the rollercoaster of being discriminated against for her gender… silently.

And she does what women do best in the face of adversity, Saxena improvises to compete for her place – to have an equal opportunity as them.

Scene from Gunjan Saxena

Whether it was running to her room to change into her uniform for sortie training or creating a make-shift changing room in the men’s locker room.

Even in her times of victory, she doesn’t celebrate by high-fiving her colleagues or jumping for joy. She lets it sink in and proudly checks it off her checklist.

Whether its “fly like a Tarzan” in training or getting awarded for leading the scoreboard with maximum number of flying hours.

Scene from Gunjan Saxena

The only place I felt Kapoor faltered was the argument scene with her superiors, when Saxena reaches her saturation point. The emotion of frustration and dialogues needed more projection to create the desired impact.

Scene from Gunjan Saxena

Coming to the supporting cast led by actress Ayesha Raza Mishra and actors Pankaj Tripathi, Angad Bedi, Manav Vij and Vineet Kumar Singh.

Again, there’s criticism over the supporting cast being stronger than the lead. And once again, I understand but don’t agree with the sentiment – why do we expect the supporting cast to weaker than the lead?

Of course, they are strong actors with years of experience. It’s great to see every actor get their due screen-time to justify their characters and leave an impression.

Scene from Gunjan Saxena

The topic of discrepancies between monetary dues given to such seasoned actors versus inexperienced talent may be up for debate though.

PS. Anyone else felt proud and cried a little at the end to the lyrics of Bharat Ki Beti ??

#TrailerTalk – ‘Masaba Masaba’ explores a new reel-within-real type of genre

The trailer of Netflix Original Masaba Masaba dropped recently and it does not disappoint.

It looks like an interesting crossover between reality TV and fiction revolving around the real life of Masaba Gupta.

A renowned fashion designer and entrepreneur, Gupta is an achiever who has always been a vocal about challenges she’s has to overcome primarily due to her mixed race.

However, that has also empowered her to challenge the status quo.

In a quirky, twisted, a new reel-within-real type of genre, Masaba Masaba promises to offer an entertaining show about the “bold and fierce” life of Masaba Gupta.

Scene from Masaba Masaba

And the appearance of her mother and actress Neena Gupta, along with Gajraj Rao, Farah Khan, Kiara Advani amongst others is an exciting touch!

You can watch the trailer here:

What a refreshing change from the high-intensity crime drama series on OTT platforms.

Masaba Masaba will be stream on Netflix on August 28, 2020.

United Kingdom seems to be the new destination for Bollywood films amid COVID crisis

Owing to the stringent safety guidelines in India and rising COVID cases, big-budget film production cannot be green-lighted amid the crisis.

While some actors jumpstarted work with brand endorsements and few shows aired new episodes, pending film projects have been put on hold indefinitely.

Hence, several filmmakers are looking for alternative ways to resume work and United Kingdom seems to provide an interim solution.

Recently, the entire cast and crew of Bell Bottom flew out to London to commence the first schedule of the film.

Reportedly, Akshay Kumar hired a chartered aircraft to accommodate the team.

Cast members Huma Qureshi and Lara Dutta along with Jackky Bhagnani and Deepshikha Deshmukh jet off the UK earlier this week.

https://www.instagram.com/p/CDiXo70jfka/

Bell Bottom is scheduled to release on April 2, 2021.

Actor Adil Hussain, last seen in the ZEE5 film Pareeksha, also shared the location of his next film that will be scheduled in UK.

https://www.instagram.com/p/CDYo656JmDj/

In May 2020, UK Broadcasters along with Association for Commercial Broadcasters and On-Demand Services (COBA) published a guideline document recommending the establishment of close contact cohorts (CCCs) of cast and crew.

The “cohort” is defined as a small number of people who “unavoidably need to be in close contact with each other.”

The members of the cohorts will be tested regularly. The documents add that “this approach offers a reasonable and sensible level of risk mitigation but it cannot eliminate risk.”

Let’s hope the new norms and protocols allow production to run smoothly and safely.

#Review – I loved ‘Shakuntala Devi’ because it’s not a typical biopic

Shakuntala Devi starring actress Vidya Balan in the titular role released on Amazon Prime Video on 31 July, 2020.

Based on world-renowned Mathematician, the film revolves around her life giving us a glimpse into her childhood, her struggles, challenges, travels, profession and more.

Since the film was marketed as a biopic, it was bound to have expectations of being a more serious story of a woman going from rags to riches. Perhaps a timeline of events highlighting Shakuntala Devi’s professional achievements and accolades with the power of maths.

However, the film explored the complexities and the dichotomy of her professional brilliance and personal struggles and instability.

Scene from Shakuntala Devi

Shakuntala Devi is not a typical biopic – it’s an entertaining film about a woman who simply loved her individuality.

The film doesn’t present its “hero” as a perfect role model. The protagonist’s life is messy, her ideologies are flawed, her challenges are somewhat conventional… and that’s what distinguishes the human from a computer.

Balan carries the film on her shoulders. She owns the character with panache and makes you feel its brilliance along with all the absurdities.

Shakuntala Devi gives another dimension to the adept public figure who is child-like, ambitious and larger than life. Come to think of it, aren’t all “geniuses” a little eccentric?

Scene from Shakuntala Devi

And maybe that was the vision of the filmmaker – to show a different side of the Guinness World Record holder. The aim was not to show the obviously publicized version of Shakuntala Devi, but also show her personal conflicts.

There have been mixed reviews about the hammy acting and cheesy caricature-esque portrayal of the real-life math wiz, but it works! And it’s fine to take such creative liberties for a film… because telling a layered story in a visual medium isn’t as simple as maths. 

Am I correct?

PS. Wish we learned those unique equation solving techniques that made Maths fun in school. No?

Popcorn Rating: [4/5] 

Directed by Anu Menon, Shakuntala Devi also stars Jisshu Sengupta, Sanya Malhotra and Amit Sadh. It is streaming exclusively on Amazon Prime Video.